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Today I am ecstatic to bring you a different kind of “How I Got My Agent” story. This one is special because it is the first, of hopefully many, success stories of authors finding agents through 12 x 12. Once again I was moved to tears by a member’s expression of what 12 x 12 has done for her confidence, her writing and her career. I can honestly say the only time I’ve ever been more pleased to announce that someone signed with an agent is when it was me! Without further ado, congratulations to Pat Miller, who recently signed with Stephen Fraser of Jennifer DeChiara Literary Agency! May there be many more 12 x 12 participants who come after you! :-)

I began my writing career out of green-eyed jealousy in 1994 with a magazine article. (That’s another story.) I mostly wrote for school librarians. I reconnected with children’s writing, thanks to Tara Lazar’s Picture Book Idea Month challenge, in November 2012. Tara mentioned Julie Hedlund’s upcoming 12 x 12 Picture Book Challenge. Perhaps it was the timing, perhaps the financial investment, but I decided to commit. Here’s how 12 x 12 has made 2013 my luckiest writing year.

ENCOURAGEMENT I began reading other people’s work and submitting my own in the 250 Words Forum. I had done more than six months of research on the sea captain who invented the hole in the doughnut. Now I felt encouraged to stop researching and start writing.

COMPANIONSHIP The 12 x 12 Facebook page peopled my writing space with amiable fellow writers. I was surrounded by their hopes and encouraged by their work. My difficulties were theirs–I wasn’t alone. I began showing up at my desk every morning at 7:00, feeling the invisible but warm company of kindred spirits.

ANSWERS TO QUESTIONS Is a particular conference worth the money? Which writing books are most helpful? How does one format a picture book? The 12×12 group reminds me of a trampoline—throw out a question and within hours, answers bounce up from all over! When I asked if anyone had experience with making book trailers, Julie connected me with Katie Davis. I’ll be joining her Video Idiot Boot Campin May.

RESOURCES Members often suggest sites, blogs, and resources that inspire and educate. Lori Degman told us about a site called Rate Your Story. Over the next couple of months, I submitted three stories. My Stone Soup variant rated a 7, The Hole Story of the Doughnut earned a 3, and Lone Star, Lone Star convinced someone to give it a 1. Encouraged, I sent Lone Star out to several regional publishers.

EXPERT HELP I committed to bringing my Hole Story to completion. I returned to Rate your Story to peruse their list of editors for hire. From a list of heavy hitters, I chose Jill Esbaum, author of 11 picture books and former instructor for the Institute of Children’s Literature. She helped me revise my story, and with high hopes, I submitted it to the Highlights Fiction Contest.

I had more than 200 pages of research on my doughnut inventor. In February I began to feel a book was necessary. But where to begin? What to include? What to leave out? On January 23, Elaine Kearns recommended Dear Editor.com, where you send in questions to editor Deborah Halverson. Deborah’s answer to my questions appeared the next day. I began the book.

NEW DIRECTIONS In mid-January, Janie Reinart posted a site about building one’s author platform. Reading it convinced me I needed to learn about using social media to promote my work. In a marvelous coincidence, another member recommended marketing magician Rivka Kawano. On January 28, I took her three-hour online seminar called “Author Success in 2013”. It was so helpful that I signed for her twelve week course,  Author’s Marketing Class.

CRITIQUE GROUP In early February, Laura Carpenter posted on the forum’s Critique Connect that she wanted to form a group. Lickety-split, nine of us joined her from seven states and Canada—my first critique group! Soon the stories began to fly, as well as posts about our vacations, our discouragements, and our delight in the group.

SHARED SUCCESSES  We participated in the voting for Janie Reinart’s book, Love You More Than You Know, nominated for Best Cleveland Book of 2013. And she won! Tracey Cox shared news of the debut of her cleverly named Arachnabet: An Alphabet of Spiders. Cheryl Lawton Malone nearly won the March Madness Poetry Match with her poem, “Autocorrect”. The success of any of us gave us all hope.

ACCESS TO AGENTS In January, Emma Walton Hamilton taught us to write query letters and posted her analysis of 40 queries submitted by 12x12ers. In February, Stephen Fraser of the Jennifer de Chiara Literary Agency became the first of 11 monthly agents willing to look at our work and make suggestions.

By mid-February, The Hole Story of the Doughnut had been through numerous revisions and shaped up as a picture book biography. I crafted my e-query based on Emma’s advice. I followed it with the manuscript that had been through my critique group, Rate Your Story, Jill Esbaum, and Kathi Appelt, the Newbery-honor winner whose critique I won at a local SCBWI auction. With a small prayer, I hit “send” and off went my manuscript to Stephen Fraser.

A REALIZED DREAM Julie sent out interview and biographic information on Stephen Fraser when he stepped up to be our first agent reader. He sounded experienced, passionate, and kind. Just the kind of agent I would like if I had one. He amazed all of us by turning our stories around in three days or less. And he liked my story. Could I make some changes and resubmit? The day after April Fool’s Day, Stephen called me and offered to represent The Hole Story. I tried not to squeal like a pre-teen at a Bieber concert. He patiently answered my questions and said his contract would be in the mail. HIS CONTRACT WOULD BE IN THE MAIL! I was fizzy with joy, thrilled to have an agent, and very aware of how much I owe to Julie Hedlund and  the writers of 12 x 12. Thanks to them, my nineteen-year career became an overnight success.

Pat Miller is the author of 20 professional books and more than 200 articles for school librarians. Her first children’s book, Substitute Groundhog, garnered 32 rejection letters before publication by Albert Whitman. It was named a Junior Library Guild selection. Find out more at www.patmillerbooks.com.

Categories: 12 x 12, Agents, Authors, Books, Children's Books, Creativity, Goals, Guest Blogging, How I Got My Agent, PiBoIdMo, Picture Book Month, Picture Books, Publishing, Queries, SCBWI, Social Media, Video Idiot Boot Camp, Writing · Tags: , , , , , , , , , , , , , , , , , , , , , ,

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First, let me tell you that I am a VERY recent convert to the notion that authors need videos. I went kicking and screaming into video for all the same reasons you might be objecting. No time, no money, for one. But also, I’m a writer. I’m not a visual person. I didn’t even like to WATCH videos much less create them.

Then I saw this quote from literary agent Rachelle Gardner’s blog. Technically the post was about Pinterest, but it applies to video too. “As a writer, you may be more attuned to words than visuals. You may not be a YouTube fan, and you prefer to read a written blog post rather than watch a vlog. But the rest of the world – your readers – isn’t like you. They enjoy pictures as well as words (or more than words).”

Lucky for me, just when I wanted to learn video, Katie Davis asked me to beta-test her latest online course, Video Idiot Boot Camp. I’m telling you, I went from knowing NOTHING to being able to create all different kinds of videos in a matter of weeks. And you know what? I’ve found I LOVE making videos! It’s a brand-new creative outlet for me, and I’ve discovered that making videos is just telling stories in a different medium.

Now the course is officially launched so YOU can learn to make videos too. I know firsthand that to get just one professional video created costs, at a minimum, $200, and more often $500+. So this course is a great deal. In fact, I’m now so passionate about what I learned I’m helping Katie promote the course.* What better way to do that then to share a video testimonial with you. I hope you enjoy it! If so, check out my YouTube channel too! :-)

If you decide to sign up and use my link, I get a referral. So if you do, thanks!

Categories: Agents, Authors, Books, Children's Books, Creativity, Picture Books, Publishing, Social Media, Video Idiot Boot Camp, Writing · Tags: , , , , , , , , , , , , , ,

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Elizabeth Harding of Curtis Brown LTD will be accepting picture book submissions from 12 x 12 members in May.

HardingI am fortunate to have gotten to know Elizabeth Harding a bit because one of my good friends, Katie Davis, is a client of hers. Plus, she and I are both Michigan graduates (Go Blue!), so already I know she must be awesome. :-) In all of my interactions with her, she’s been encouraging, kind and supportive.

You won’t find a great deal of information about Elizabeth online in part because, paraphrasing Katie, ‘she spends her time working hard on behalf of her clients.’ Although she does accept submissions, she does not actively seek new clients, so this is a fantastic opportunity for 12 x 12 members.

One way to learn more about Elizabeth is to purchase a webinar Katie did with Elizabeth entitled, Top 3 Insider Secrets to Getting an Agent. I attended the live webinar, and Elizabeth answers LOADS of questions including how an agent evaluates an author’s online presence. The great thing is that this webinar not only gives you a sense of what Elizabeth looks for, but helps with all aspects of the agent search process.

A little bit about Elizabeth from the Curtis Brown website:

Elizabeth Harding represents authors and illustrators of juvenile, middle-grade and young adult fiction at Curtis Brown. Elizabeth started at the agency as an assistant to the legendary Marilyn E. Marlow, and she has been at Curtis Brown for more than fifteen years. Elizabeth represents New York Times bestsellers, Newbery, National Book Award, Printz,and Coretta Scott King honor and award winners. She is a graduate of the University of Michigan (Go Blue!) and lives in Manhattan with her husband, three sons and a crazy Vizsla.

From Elizabeth’s profile on Publishers Marketplace:

I actively am seeking new clients in the areas of children’s fiction and non-fiction (chapter books, middle grade and YA) and picture books.

Full 12 x 12 submission guidelines and requirements for Elizabeth will be posted in the Submission Station section of the 12 x 12 Membership Forum, accessible to Little GOLDen Book members by 2:00 p.m. EST on April 30th. In the meantime, here are some links with more information about Elizabeth.
Good Luck!
Elizabeth’s profile on the Curtis Brown website
Elizabeth’s profile on Publishers Marketplace
Follow Elizabeth on Twitter
Elizabeth on LinkedIn
Listed as a Top 20 Middle Grade Fiction Agent at Fiction Notes
A short list of published works from Elizabeth’s clients
Elizabeth presented a book at last year’s Bologna Children’s Book Festival – article by Publishers Weekly
Elizabeth is the featured agent in Katie Davis’ “Top 3 Secrets to Getting an Agent” video seminar: “Top 3 Secrets to Getting an Agent”
Categories: 12 x 12, Agents, Children's Books, Picture Books, Publishing, Queries, Social Media · Tags: , , , , , , , , ,

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carolphotoI hope you all are as moved by this post from today’s Tuesday 12 x 12 author Carol Coven Grannick as I was. Carol’s words struck such a chord in me. It is SO easy as writers to get mired in self-doubt and anguish and forget why we started writing in the first place. The tagline of her blog — Focusing More on the Writing and Less on the Publication — is going to be my new mantra. It’s not that I don’t want to publish many more books, it’s just that focusing too much on the publication side of things can suck the joy out of the act of writing. I am grateful that Carol found 12 x 12 this year, and I for one will be seeking out her gentle counsel when I need more writing resilience. Please welcome Carol!

THE FREEDOM OF LETTING GO

The past year has been a bountiful, meaningful one in my long journey as a committed, hardworking children’s writer – not because I got a book contract, but because I didn’t.

During the last decade, I’d heard supportive comments for years as short fiction appeared in children’s magazines, several unpublished picture books won several awards and got me an agent, with whom I parted ways after two acquisitions committees but no contract led him to stop sending out my work.

Although I wrote for love, life and urgency, and because I had stories to tell, I wanted to join colleagues who announced their book contracts month after month. I followed all the recommendations and collected plenty of impersonal and personal rejections. I was persistent and resilient. I believed that if I continued along this path, I’d get published.

And then about a year and a half ago I found I was spending too much time recovering from submissions into what many writers were calling the Black Hole of publishing: “If you don’t hear from us, assume we’re not interested.” If I don’t hear from you by when? I wondered. Some said, but many didn’t. Six weeks? Two months? Ten years?

I had to change something. So I challenged my basic assumption about being a children’s author with these words: There is a distinct possibility that I will never get a traditional book contract.

I shocked myself, let the words sink in, cried, sobbed.

Then I stopped. And when I did, I asked myself The Question: Now what?

The answer was easy. Now I am a writer. Now I write.

I had to put the longing for publication on a back burner. It was controlling too much of my writing and my life. I didn’t give up hope, just preoccupation.

Relief billowed in, filled me with a sense of freedom. Ideas for new work, classes I wanted to take, manuscripts I’d revise without losing the heart of the story because it might not be marketable, all seemed possible. “Shoulds” disappeared and joy returned.

I had always been, and would always be, a writer.

Then the oddest and best things happened in a year that unfolded, full of surprises. A new blog to keep me honest, an illustration class I never thought I’d take, query letters more true to my natural voice that got responses and requests for more work, and amazing workshops with authors whose work I loved and who were brilliant teachers as well.

My writing and my well-being blossomed.

And just when I felt ready to begin to submit again, I discovered 12 x 12. Where had it been last year? Well, right here. But I wasn’t. Really, just when I was ready, I found Julie’s site. Was it magic? No. It was luck: readiness meeting opportunity – such a crucial component of our journeys.

I hesitated not one moment. I scraped together the funds to become a GOLD level member, and although I’m still more of a lurker than a poster, I’m loving the forum, loving the opportunities, loving the resources. This post is an easier way of entry for me, and I’m grateful for the opportunity.

But mostly I’m loving the existence of all of us in community together, picture book writers who don’t believe this precious genre is on the way out.

Carol Coven Grannick writes picture books, middle grade and young adult fiction, and personal essays. Her regular column, The Irrepressible Writer, appears in the SCBWI-Illinois PRAIRE WIND (http://illinois-scbwi.org) and she blogs about her creative process at http://TodayIAmAWriter.blogspot.com. As a writer/clinical social worker, she has an archive of articles about how to create and maintain resilience for the writing life at: http://TheIrrepressibleWriter.com and counsels/coaches individuals and groups on caring for the inner journey of the writing life.

 

Categories: 12 x 12, Agents, Authors, Books, Children's Books, Creativity, Goals, Guest Blogging, Picture Books, Publishing, Queries, SCBWI, Writing · Tags: , , , , , , , , , , , , , , ,

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Susan Hawk of The Bent Agency (TBA) will be accepting picture book submissions from 12 x 12 members in April.

Susan-Hawk-photo4I’m pleased to introduce you to Susan today. Although I have not met her personally, she graciously accepted the invitation to be a 12 x 12 featured agent immediately after I sent it, and I’ve heard nothing but great things about her from clients and fellow agents.

A little bit about Susan from The Bent Agency website:

I come to TBA from Children’s Book Marketing, where I worked for over 15 years, most recently as the Marketing Director at Henry Holt Books for Young Readers, and previous to that as the Library Marketing Director at Penguin Young Readers Group. I was lucky to be involved in many different books during that time ranging from Eric Carle’s Baby Bear, Baby Bear to Betsy Partridge’s This Land Was Made for You and Me, to Nancy Werlin’s Black Mirror, as well as the work of Mary E Pearson, Richard Peck and Joan Bauer.

While at Penguin, I also worked for a time in Dutton Editorial, acquiring projects for that list. My favorite part of that time was being able to read new submissions — finding something wonderful and imagining where it can go was thrilling to me then and remains so now.

I handle books for children exclusively: picture books, chapter books, middle grade and YA, fiction and non-fiction. In non-fiction I’m looking for books that relate to kid’s daily lives and their concerns with the world. In picture books, I’m looking particularly for author-illustrators, succinct but expressive texts, and characters as indelible as my childhood favorites Ferdinand, Madeline, George and Martha.

I asked Susan what she is looking for in the picture book market these days, and she sent me this response:
“I really like texts that are funny or evocative. I like quirky things too. And I’m definitely looking for non-fiction.” Some recent picture book favorites are:

I Want My Hat Back, by Jon Klassen

Me…Jane, by Patrick McDonnell

House Held Up By Trees, by Ted Kooser

Interrupting Chicken, by David Ezra Stein

All the World, by Liz Garton Scanlon

The Hello, Goodbye Window, by Norton Juster

This Moose Belongs to Me, by Oliver Jeffers

Balloons Over Broadway, by Melissa Sweet

The Day-Glo Brothers, by Chris Barton

Show Way, by Jacqueline Woodson

Full 12 x 12 submission guidelines and requirements for Susan will be posted in the Submission Station section of the 12 x 12 Membership Forum, accessible to Little GOLDen Book members by 2:00 p.m. EST on March 31st. In the meantime, here are some links with more information about Susan.
Good Luck!
Susan’s profile on the TBA website
Agent Susan Hawk Talks Picture Books – Heather Ayris Burnell’s Blog
Categories: 12 x 12, Agents, Children's Books, Goals, Picture Books, Publishing, Queries, Writing · Tags: , , , , , , , , , ,

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Child Reading Troop

Another “real life” child reading TROOP

Another week. Another celebration.

Quotes on Gratitude

“If you have lived, take thankfully the past.” — John Dryden

“Gratitude is one of the sweet shortcuts to finding peace of mind and happiness inside. No matter what is going on outside of us, there’s always something we could be grateful for.” — Barry Neil Kaufman

“One regret dear world, that I am determined not to have when I am lying on my deathbed is that I did not kiss you enough.” — Hafiz of Persia

Gratitude list for the week ending March 2

  1. Well, there’s that “signing with an agent after four long, long years of trying” thing. Erzsi and I have had two wonderful meetings so far this week and I am bursting with excitement over all the possibilities. I don’t think I’ve ever been so motivated to get back to focusing on my writing!
  2. Speaking of writing, it was a wonderful feeling to work on app #2 in the TROOP series.
  3. 12 x 12 registration closed for the year with more than 475 members!
  4. Had great friends visit on the tail end of their skiing vacation. Our kids got along fabulously which gave us lots of time to catch up, drink some wine and eat lasagna!
  5. Had what was by far the best parent-teacher conference for Jay so far!
  6. PadGadget gave TROOP a review that had my convinced the review’s author (Emily) had been inside my head during the writing process. LOVED it!
  7. My dog has plenty of faults, but he is so gentle and loving with children. I appreciated this quality in him more than ever when we had two children visiting who at first were deathly afraid, but were giving him hugs at the end.Whats-a-Book-App-27-Writers-Cover-with-TBB-logo-Final
  8. I am honored to be one of 27 authors featured in Karen Robertson’s new book, What is a Book App and Could You Create One? (my mug shot is on the bottom left corner) Karen is so generous of her time and talent when it comes to promoting other authors’ work, and my son ADORES the Treasure Kai apps!
  9. Gorgeous bookmarks, postcards and business cards for TROOP arrived.
  10. Good snuggle time with Jay while Em was at a sleepover.

What are you grateful for this week?

Categories: 12 x 12, A Troop is a Group of Monkeys, Agents, Apps, Authors, Children's Books, Digital Publishing, Dogs, ebooks, Entertaining, Friendship, Gratitude Sunday, How I Got My Agent, Picture Books, Publishing, Storybook Apps, Writing · Tags: , , , , , , , , , , , , , , , , , , , ,

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Tricia LawrenceTricia Lawrence of the Erin Murphy Literary Agency (EMLA) will be accepting picture book submissions from 12 x 12 members in March.

I have never met Tricia in person, but that will soon change because she will be in both Bologna AND NJ-SCBWI! I will say that I’ve been impressed with her thoughtfulness and responses in every email exchange I’ve had with her. Plus, when she started at EMLA it was as a social media strategist – how cool is that? I’m sure her clients benefit tremendously from having an agent with marketing and promotion know-how.

Prior to joining EMLA, Tricia spent 17 years of working as a developmental and production-based copyeditor (from kids book to college textbooks).

As an associate-agent at EMLA, Tricia looks for picture books that “look at the world in a unique and unusual way, with characters that are alive both on and off the page.” When I asked her to share any insights into what she is looking for in PBs these days, this is what she said:

“With PB manuscripts, I am looking for an experience, all the questions I have are positive, not coming from confusion, but from “Oh, I love this; can I have more?” A really strong voice is a huge plus. What Anastasia Suen calls “picture writing” so that you can read it and then see it in both pictures and words, without massive and painful effort. 
 
Not very specific, but I’m really looking for something amazing (isn’t everybody!) with strong character, specific word choice, playful or sweet, with that wonderful hook that takes me in an unexpected turn.”
Full submission guidelines and requirements for Tricia will be posted in the Submission Station section of the 12 x 12 Membership Forum, accessible to Little GOLDen Book members by 2:00 p.m. EST on February 28. In the meantime, here are some links with more information about Tricia.
Good Luck!
Tricia’s profile on the EMLA website
Cynsations interview featuring both Erin and Tricia discussing social media for authors
Mother. Write. (Repeat). Author-Agent Interview
Profile on The Write Path
Interview on Forever Rewriting
Categories: 12 x 12, Agents, Picture Books, Publishing, Queries, Social Media, Writing · Tags: , , , , , , , , ,

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2012-07-28 at 11-37-43By now I supposed you’ve guessed what the “huge news” is that I alluded to in this week’s Gratitude Sunday post. There are no words to describe how ecstatic I am to announce that, as of yesterday, I am now represented by Erzsi Deak of Hen & Ink Literary.

To celebrate, I am giving away the spreadsheet I’ve kept these past few years of agents who represent picture books. How can you win? Easy! Leave a comment on this post before midnight EST today and it’s yours!! Share with your friends. Everybody is a winner, just like the rubber duckie game at the fair. :-)

I was just thinking the other day how this series had been neglected for a while and I should find someone to post. Little did I know I would be given the opportunity to turn the tables and interview myself! *gleeful dancing* So here goes…

Julie, how long had you been writing before seeking an agent, and what made you decide it was time to look for one? What kind of research did you do before submitting?I

I began writing for children in 2006 when my daughter was three and my son an infant. I attended my first regional SCBWI conference in 2007 and quickly fired off a submission I was sure would be accepted (the very first completed book I’d written which, after many substantial revisions, was published last week as A TROOP IS A GROUP OF MONKEYS). Big mistake. Rookie mistake. A few months later, I attended the National SCBWI conference in New York. I learned so much at that conference, but the biggest lesson was how “new” I was and how much I had yet to learn.

I put a moratorium on submissions for a full year while I learned everything I could about the craft of writing picture books and the children’s publishing industry. I began submitting again at the beginning of 2010 once I felt I had a foundation beneath my writing.

I knew I wanted an agent for several reasons. To take over the submissions process, definitely, but mostly to have a partner in what is an emotional, complicated, ever-changing career path. I’ve always felt working with an agent, as opposed to submitting to many editors, would help me navigate my career, make the best decisions and, quite frankly, make it less scary!

I did most of my research online, scouring blogs and websites and compiling the information into the aforesaid spreadsheet. Eventually I began targeting conferences where my top-choice agents were speaking so I could meet them in person. I was fortunate enough to meet Erzsi last March at the Bologna Book Fair. (I did so much research I ended up writing an ebook on submissions, which you can get for free if you sign up for my mailing list)

The dreaded questions: How many queries?  How many rejections?

I was chicken careful and strategic about my submissions, only sending a few queries out at a time and one manuscript at a time. I would then reflect on the feedback I got (or not) and generally use it to make further revisions before querying the same manuscript again. So I didn’t get too many rejections, although some of the ones I did get were painful indeed.

It’s a tough market for picture books. Was it difficult to find an agent who wanted to represent an author-only focusing solely on picture books? How did you know your agent was “the one?”

Yes, it was difficult. Yet, agents are still seeking picture book clients. I was surprised by how easily I filled my roster of participating agents for 12 x 12, for example. I think agents are understandably quite discerning about taking on picture book clients, but they are taking them.

I first met Erzsi at the SCBWI booth at the Bologna Book Fair last year. I had a 20 minute pitch appointment and we spent the first 10 minutes chatting with great excitement and fascination about all the changes in going on in publishing. Finally, I said, “Wait! I better talk to you about my work or we’re going to run out of time.”

I sent her one of my manuscripts and she offered encouragement and suggestions for revision, which I made over time. In the meantime, I was busy working on other projects, attending more conferences, learning more craft and immersing myself in digital publishing in the form of storybook apps.

Given the trajectory my career had taken in the months since I first submitted to Erzsi, I was committed to finding an agent who would embrace digital publishing. I knew Erzsi to be forward-thinking in this area because one of my good friends, Sarah Towle, is her client and has only published digitally thus far. I also appreciated her global view, which is one I share (hence, the upcoming whirlwind European tour).

I also wanted an agent who would provide editorial feedback on manuscripts and have the patience to help me get it “just right” before submitting. I knew from the thoughtful and in-depth comments I received from Erzsi both times I submitted to her that she was indeed that type of agent.

Finally, when we talked on the phone about the contract, I was reminded of how much I enjoy talking to her. Yes, choosing an agent is a business decision, but I think if you’re going to be working side by side with a person for years, it’s a great bonus if, in addition to trusting their instincts and valuing their expertise, you can enjoy that person’s company .

Has your writing process changed since signing with an agent?

Since we just signed yesterday, I don’t know yet! :-)

What advice would you give to picture book writers looking for agents today?

  • Always put your craft first. Always. Hold off on submitting until you are confident in your craft.
  • Remember that no writing is ever wasted. I didn’t believe this at all when I started. I would roll my eyes, convinced I was the exception to the rule – that everything I wrote would be publishable. Boy was I wrong. Then I went through a period where I was so disheartened I was convinced everything I wrote was terrible (some of it was) and thus a waste of time. Neither turned out to be true. Everything you write will make you a better writer. Be glad for each and every piece of writing because you never know when you might be able to resurrect something – even if it’s just a kernel of an idea – from an old manuscript.
  • Do not be afraid to submit to the same agent more than once. I went through two rounds of submissions with Erzsi before she took me on. Another agent I met at the RMC-SCBWI conference this fall, Karen Grencik, said this in her speech: “A no today is not a no forever.” In the span of a year, you will grow as a writer. Even if you’ve received a rejection from an agent in the past, if you have a new manuscript you think would be a good fit for him/her – go for it!
  • Make personal connections whenever possible. Try not to be a wallflower at conferences or other events when you have a chance to meet agents. They are there to meet you! But be a real person. Have a normal conversation. When you go to query them, remind them of the connection you made. If you aren’t able to make in-person connections, do your research before querying to find out their tastes, their background, something about their lives. Never, ever send a form letter.

What’s up next/what are you working on now?

Well, I just submitted the final (I hope) manuscript for the second of the three apps I’m publishing with Little Bahalia this year. It felt a little surreal (and wonderful) after spending so much time with TROOP. I have yet to write the third but I’m itching to get going…

I have another yet-to-be-announced publishing project I’m excited about for this year, and of course, I hope to revise one of my PB manuscripts into something “just right” that Erzsi could take out on submission before the end of the year.

Lastly, I started working on my first chapter book, intended to be one of a trilogy. Writing in longer form is new for me, and I’m loving the challenge and excitement!

Annie Leibowitz, Vanity Fair

Annie Leibowitz, Vanity Fair

I am now going to ask myself the question I asked Tara Lazar at the end of her interview in this series. I took contention with her answer and am relieved I can now give my own, far more appropriate response:

Johnny Depp or Ryan Reynolds?

Hello??!!?? Johnny Depp all the way my friends! Even though I was shocked to find Tara had chosen neither of the two, ever since then it’s clear she sides with Ryan Reynolds. Yes, he has the rippled abs, but does he have those eyes or that bone structure? (although I could live without the scarf) I think not!

My apologies to my male readers, but it just had to be said!

 

Categories: A Troop is a Group of Monkeys, Agents, Digital Publishing, Goals, How I Got My Agent, Picture Books, Publishing, Queries, Writing · Tags: , , , , , , , , , , , , ,

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Stephen FraserStephen Fraser of the Jennifer De Chiara Literary Agency will be accepting picture book submissions from 12 x 12 members in February.

My profile of him will be a bit personal because, perhaps unfortunately for Stephen, I stalked met him in person this past June at the NJ-SCBWI conference. Here’s my story (and I’m sticking to it).

When I got the list of agents attending the conference, Stephen was at the tippy top of my list of those I wanted to meet. So when I signed up for my manuscript critique, pitch session and lunch table assignment, I put him as my top choice for all three, never considering the possibility that they all might come through. So in some ways it wasn’t totally my fault…

First came the manuscript critique. After initial hellos he said, “Do you realize you submitted two manuscripts?”

*Insert my internal reaction here.*

designer sunglasses

HONK! You see, submitting more than one manuscript critique was strictly verboten. After apologizing profusely, he set me at ease, said it was no problem and THEN pulled out the TWO critiques he’d written for me. He liked both stories, told me they weren’t quite “there” yet, and gave me great guidance on improving them.

Since those two manuscripts were the very ones I was going to pitch to him the next day, I asked if I should even bother coming. He said I should because pitching is a very fine art and it’s always good to get practice. He even said, if I was willing to do a revision on one of my stories and give it to him the next morning, he’d look at it and give me more comments in the pitch session.

Determined to look that gift horse right in the mouth, I feverishly worked on revisions and was still tweaking as the next morning’s general session began. I arrived, late, and saw Stephen sitting at the front of the auditorium. I ended up in the nosebleed seats with my chin on my knees, which required me to hurdle over hundreds of attendees at the end of the session in order to get my revisions to him before he left the auditorium.

But get it to him I did, then went off on my merry way. I arrived late for lunch, naturally, and raced to the board to get my table assignment. It was – you guessed it – Stephen’s table. What’s more, the ONLY chair still available was the one immediately to his left.

“Helloooo. Me again.”

Then I had to go all fangirl on him about Gregory Maguire, who is one of my favorite authors and whom Stephen used to edit. Our table as a whole was very animated though, and Stephen taught us all an important life lesson which has now become, symbolically at least, one of my mantras. “Eat Dessert First.”

“Well, I’ll see you in an hour,” I smiled as I left the table.

Then came the pitch session, more great feedback on one of my manuscripts, and the satisfaction of hearing that he thought I had a strong pitch for my other one. I left with an invitation to revise and submit.

Why am I telling you all this? Because as we begin the 12 x 12 submission rounds, I think it’s important for us all to remember that these folks are regular, nice people who adore children’s books – just like us. In Stephen’s case, he went out of his way to make me feel comfortable and went above and beyond the call of duty in giving me feedback. He operated, it seemed to me, from a genuine desire to encourage writers.

Then again, maybe he was just afraid I might follow him home…

One thing Stephen said more than once at the conference was that he needs to be able to “see” a picture book before he can take it on. That doesn’t mean you have to be an illustrator, but that he likes language that is so vivid that it creates a strong visual impression. When I asked him if he had any particular guidance to give 12 x 12 members in their submissions to him, this was his response:

“For me, I am always looking for craft in language. Beautiful language gets me every time. The picture book market is tough right now, so writers need to know that their picture books need to be one-of-a-kind, original, fresh, strong, and inventive. Most publishers these days are looking for character-driven stories. And, please keep in mind, as Maurice Sendak said, you need to ’leave room for the pictures.”

Full submission guidelines and requirements for Stephen can be found in the Submission Station section of the 12 x 12 Membership Forum, accessible to Little GOLDen Book members. In the meantime, here are some links with more information about Stephen.

Profile on jdlit.com

Interview at Throwing Up Words

Literary Rambles

Writer’s Digest – NE-SCBWI Interview

Interview with Judith L. Roth (a client)

Interview on ‘Humor Me’ blog

Good Luck!

Categories: 12 x 12 in 2012, Agents, Authors, Children's Books, Picture Books, Publishing, SCBWI, Works in Progress, Writing · Tags: , , , , , , , , , , , , , ,

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12 x 12 new badgeQuite a number of published, agented authors have been asking me lately whether they would benefit from joining 12 x 12. My response, without even a moment’s hesitation, is a resounding YES!

I think the question is stemming from the fact that the focus of the Little GOLDen Book level is on the opportunity to submit to an editor or agent each month, but first I would hearken you back to the fundamental premise – that if you join 12 x 12 you are guaranteed to write more picture book drafts in 2013 than you would on your own.

Many published, agented authors participated last year, and still more have signed on this year. To add to the benefit of an instant writing community, this year’s 12 x 12 also includes features specifically geared toward published authors. Watch this short video to get a behind-the-scenes glimpse into the Membership Forum to see for yourself what they are. Then join us! :-)

Categories: 12 x 12 in 2012, Agents, Friendship, Goals, Picture Books, Poetry, Publishing, Works in Progress, Writing · Tags: , , , , , , , , , , , , ,

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